https://whitecolumn.art/from-my-bed-1 2026-04-28T22:59:19+00:00 always 0.5 https://whitecolumn.art/bini-atkinson 2026-04-28T22:59:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/I2911349859578160729742813445910/edit-bini.png Bini Atkinson, Mixed Media Long Term, Long Term apart of the Medical Packages Project, Prescribed. 2020-22. Image Description: Exhibition photograph of ‘Long Term, Long Term’ on a white wall in White Column is a mixed media artwork and it is normally in the permanent collection of the Mental Health Museum, Wakefield. The work is a twenty-seven-centimetre square mixed media piece. The words ‘Long Term’ are printed in rich blood red ink on medical prescription information leaflets, reading horizontally left to right. Each letter is printed on a separate leaflet. The leaflet has been folded to obscure the letter, then opened to reveal it. The letters form a four-by-four grid, with a two-row repeat of the phrase ‘Long Term’. All the borders of the leaflets have been outlined and painted with the same red as the printed letters. Each individual leaflet have a square base with four triangle sides with the tips folded over. This gives the artwork its geometrical and three-dimensional look. To finish the work, it has been placed on a white piece of square paper and placed in a black box frame. Audio Description: <audio-player label="FINAL Bini Atkinson. Long Term, Long Term.mp3" src="https://freight.cargo.site/original/i/F2911363827637240783352392597270/FINAL-Bini-Atkinson.-Long-Term--Long-Term.mp3"></audio-player> Organisation: The Mental Health Museum is home to an extraordinary collection of objects and stories that explore mental health care history and the experience of mental health conditions. It was first opened in 1974 and displayed objects from the West Riding Asylums at Wakefield, Huddersfield, Leeds and Sheffield. We continue to add to these collections today. The museum is a space for broader debates around mental health care and aims to promote wellbeing, combat mental health stigma, and be active in social justice. We invite everyone to get involved in creating this space. The Mental Health Museum is free to visit and open to everyone on Tuesdays, Wednesdays and Thursdays 1-4pm. Find us at Fieldhead Hospital, Wakefield, WF1 3SP. You can get in touch with staff by calling 01924 316360 or email us at <a href="mailto:museum@swyt.nhs.uk">museum@swyt.nhs.uk</a>. External Links: Instagram: <a href="https://www.instagram.com/biniatkinson/" style="letter-spacing: 0px;" target="_blank">https://www.instagram.com/biniatkinson/</a> MentalHealth Museum Instagram: <a href="https://www.instagram.com/mhmwakefield/" style="letter-spacing: 0px;" target="_blank">https://www.instagram.com/mhmwakefield/</a> https://whitecolumn.art/vivy-project 2026-04-28T22:59:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/I2911371663260720972958632525590/20260428_090536.jpg Dream House, Sculpture by The Vivify Project Members Image Description: Exhibition photo of ‘Wooden Dream Houses’ displayed on a white plinth placed on a grey floor within the White Column space. The sculpture depicts the front of a house, made from rough grained timber, jig sawed pieced together leaving gaps for delicate pen drawings of domestic scenes or pieces of furniture for example a bed. There are five of these gaps strategically placed like windows two on the left and two on the right, one on top of each other and then one in the attic area of the house, each with a drawing and covered with a protruding paper hinged wooden door giving it the ability to be opened. Also, a piece of wood is used to mimic the door of the house, that protrudes like the others, this however does not have a hinge. On each of these doors there are different sentences, like ‘I get up in the morning, that’s the best thing’, ‘I’m always happy, no use being sad’ and ‘Cock-a Doodle Quack’. In the centre in-between the windows and door is a plaster of Paris floorplan or house plan resembling a map or x-ray of a building, with ten small square foundation shapes and six circles. The back of the sculpture is plain wood and with a timber post attached in the middle to support displaying. Audio Description: <audio-player label="Wooden Dream Houses- Vivify Project_01.mp3" src="https://freight.cargo.site/original/i/V2911802210359635074261897723670/Wooden-Dream-Houses--Vivify-Project_01.mp3"></audio-player> Organisation: The Mental Health Museum is home to an extraordinary collection of objects and stories that explore mental health care history and the experience of mental health conditions. It was first opened in 1974 and displayed objects from the West Riding Asylums at Wakefield, Huddersfield, Leeds and Sheffield. We continue to add to these collections today. The museum is a space for broader debates around mental health care and aims to promote wellbeing, combat mental health stigma, and be active in social justice. We invite everyone to get involved in creating this space. The Mental Health Museum is free to visit and open to everyone on Tuesdays, Wednesdays and Thursdays 1-4pm. Find us at Fieldhead Hospital, Wakefield, WF1 3SP. You can get in touch with staff by calling 01924 316360 or email us at <a href="mailto:museum@swyt.nhs.uk">museum@swyt.nhs.uk</a>. External Link: Instagram: <a href="https://www.instagram.com/mhmwakefield/" target="_blank">https://www.instagram.com/mhmwakefield/</a> https://whitecolumn.art/bluecoat 2026-04-28T22:59:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/O2911382774712354004128177078038/bluecoat-edit.png Re-staging of John Lennon and Yoko Ono’s Bed-In for Peace from 1969’ Image Description: Artwork photographed against a white wall in the White Column space, showing a photograph of ‘Re-staged Bed-In’, a series of live performances taking place on and around a bed in the Bluecoat Gallery. Performers present responses to the original Bed-In for public audience and press. The bed is a standard double with the headboard backing against the Gallery wall, allowing a wide view of activities that include spoken word, sculpture and music, all in response to the ‘for a better world’ prompt. Audio Description: <audio-player label="Bluecoat FINAL.mp3" src="https://freight.cargo.site/original/i/R2911384677475558463194716716822/Bluecoat-FINAL.mp3"></audio-player> External Links: Website: <a href="https://www.thebluecoat.org.uk/">https://www.thebluecoat.org.uk/</a> Instagram: <a href="https://www.instagram.com/the_bluecoat/" target="_blank">https://www.instagram.com/the_bluecoat/</a> https://whitecolumn.art/saranna-watkins-1 2026-04-28T22:59:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/W2911392183824656937085460299542/IMG_8815.jpeg Photograph one of ‘Notes from a Small Hospital Bed’, photographs by Saranna Watkins, 2026 https://freight.cargo.site/t/original/i/O2911392183843103681159169851158/IMG_8825.jpeg Photograph two of ‘Notes from a Small Hospital Bed’, photographs by Saranna Watkins, 2026 Image Description: ‘Small Notes from a Hospital Bed’ consists of two photographs. The first photograph is a close-up still life which shows ten handwritten notes, each folded into quarters and placed on top of each other in an untidy pile. The printed lines of the paper are evident, with some blue penned lines barely visible, suggesting secret conversations, memories and experiences waiting to be divulged. In the middle of the image is a pile of notes on top of the rippled cotton bedsheet of an unmade bed. Natural light falls from the top left corner, casting strong shadows across the bedsheet and notes. The second photo is an ultra close-up image of a handwritten reflection. It is written over five lines in blue biro on white lined paper and reads: “The restriction of movement. Handwritten notes the only communication between the constraints of our hospital beds.” Audio Description: <audio-player label="Saranna Small Notes From My Hospital Bed.mp3" src="https://freight.cargo.site/original/i/M2911396479388822173312778256150/Saranna-Small-Notes-From-My-Hospital-Bed.mp3"></audio-player> External Links: Instagram: <a href="https://www.instagram.com/saranna_art/" target="_blank">https://www.instagram.com/saranna_art/</a> https://whitecolumn.art/nicholas-shearon 2026-04-29T07:49:28+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2911421284670237858325707636502/20260428_090715.jpg This is Not a Place, Digital Prints by Nicholas Shearon, 2025. Image Description: Exhibition photograph of artwork against a white wall in the White Column space, which is comprised of two black and white digital prints, each 85cm square, from original pencil drawings on paper and they are located one above the other. The top one depicts a woman's face drawn down the right had side of the four panels. She has wavy hair, freckles beneath her large eyes and a complex expression. Her features are seemingly impassive, no obvious emotions leap out, but her mouth is slightly downturned and her eyes open and fixed forwards. On the left is vines and text. Below on the second print is a single image that looks like three figures, made up of angular body shapes with circular looped lines for heads. The 'head' shapes are thickly drawn, dark and harsh compared to some of the more delicate lines of the bodies. The body shapes have sharp corners and repeated scribbled shading, but these are more smudged and faded, as if they have been repeatedly erased and drawn over. The figures have a gentle lean to them, as if they are stooping to listen to something at the left-hand side of the page, or possibly following each other in a line. The image is abstract and open to interpretating, but the white space around them and the sharp outline has a menacing and lonely atmosphere. Audio Description: <audio-player label="Nicholas Shearon FINAL.mp3" src="https://freight.cargo.site/original/i/C2911430988616851321382754336534/Nicholas-Shearon-FINAL.mp3"></audio-player> PDF of Zine: <a href="https://freight.cargo.site/m/E2912389273636349279346622742294/This-is-Not-a-Place---Nicholas-Shearon.pdf" target="_blank">https://freight.cargo.site/m/E2912389273636349279346622742294/This-is-Not-a-Place---Nicholas-Shearon.pdf</a> <a hash="C2912387687179465452177764663062" href="https://freight.cargo.site/original/i/C2912387687179465452177764663062/This-is-Not-a-Place---Nicholas-Shearon-compressed.pdf" target="_blank"></a> External Links: <a hash="C2912387687179465452177764663062" href="https://freight.cargo.site/original/i/C2912387687179465452177764663062/This-is-Not-a-Place---Nicholas-Shearon-compressed.pdf" target="_blank"></a> Instagram: <a href="http://www.instagram.com/thenickgonzo">www.instagram.com/thenickgonzo</a> https://whitecolumn.art/ben-rowen 2026-04-28T23:05:33+00:00 always 0.5 https://whitecolumn.art/liz-samways 2026-04-29T08:56:12+00:00 always 0.5 https://freight.cargo.site/t/original/i/H2911445202644816853835494735638/20260427_144435.jpg https://freight.cargo.site/t/original/i/L2912461614295675018355692289814/Liz-Artwork.jpeg https://whitecolumn.art/alan-dunn-kora-the-black-lab 2026-04-28T22:59:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/L2911451543842219400009829596950/Alan---Kora-the-black-lab.png Alan Dunn & Kora the black lab, Postcard, Kora in bed playing with a toy passed on to her by one of this exhibition’s curators, 2025. Image Description: The artwork photographed against a window in the White Column space, of a postcard-sized photograph of the head and shoulders of Kora the black labrador dog laying on her back on a dark green and red Christmassy-looking duvet in bed. Captured in side-on profile, with her open mouth she tries to bite a light grey fluffy animal toy that has a tiny tag on it reading “kora lab”. She looks relaxed and playful, paws in the air, her black fur shining from the flash of the camera and body nuzzled into the thick duvet, probably late evening playtime in bed with her owner, the artist Alan Dunn. The postcard is shown both front and back, and other copies given away during opening. Audio Description: <audio-player label="Alan Dunn FINAL.mp3" src="https://freight.cargo.site/original/i/L2911456944255674186997032042262/Alan-Dunn-FINAL.mp3"></audio-player> External Links: Website: <a href="http://www.alandunn67.co.uk/">www.alandunn67.co.uk</a> Instagram: <a href="https://www.instagram.com/alandunn67/" target="_blank">https://www.instagram.com/alandunn67/</a> https://whitecolumn.art/harry-medley 2026-04-28T22:59:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/H2911460204145840148875284070166/20260427_144409.jpg ‘Where the Magic Happens’, sculpture by Harry Meadley, 2011. Image Description: The artwork photographed high up on a white wall in the White Column space. A white shoe box sized form protrudes from the upper part of a white gallery wall. It is positioned so even a tall person would look up at it. The box’s surface is the same white paint as the wall. The corners and panels of the box are not perfectly square and sticks out from the wall length ways. Audio Description: <audio-player label="Harry Meadley.mp3" src="https://freight.cargo.site/original/i/F2911462504141231491203308207894/Harry-Meadley.mp3"></audio-player> External Links: Website: <a href="https://harrymeadley.studio/">https://harrymeadley.studio/</a> https://whitecolumn.art/milly-renu 2026-04-28T22:59:22+00:00 always 0.5 https://whitecolumn.art/mandy-shepherd 2026-04-28T22:59:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/H2911465948757092607209010118422/Mandy-edit.png ‘Looking Through My Bedroom Window’, Mixed- Media painting by Mandy Shepherd, 2026. Image Description: ‘From My Bed’ exhibition photograph of ‘From My Bedroom Window’ against a white wall in the gallery. The artwork is a white A2 sized mixed media artwork. The canvas background is covered with plaster of Paris using a palette knife creating textured ridges and then painted with acrylic paint. The wide border replicates a bed; covered in old white pillowcases, puffy as if stuffed with wadding creating folds and creases mimicking textures of pillows, duvets and mattresses. Then going inwards framing the middle is a crochet chain becoming a window, within this in the top left is a large yarn pompom and in the bottom right is an arrangement of different crocheted, braided, pompom, wrapped yarn flowers. Audio Description: <audio-player label="Mandy Shepherd FINAL.mp3" src="https://freight.cargo.site/original/i/O2911469120637842593418991386390/Mandy-Shepherd-FINAL.mp3"></audio-player> External Links: Outside In Gallery: <a href="https://outsidein.org.uk/galleries/mandy-shepherd/">https://outsidein.org.uk/galleries/mandy-shepherd/</a> Instagram: <a href="https://www.instagram.com/mandy_shepherd3185/" target="_blank">https://www.instagram.com/mandy_shepherd3185/</a> https://whitecolumn.art/peter-ashworth 2026-04-28T22:59:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/X2911471924672069005786803879702/Peter-Ashworth.png Soft Cell, Vinyl cover by Peter Ashworth, 1981 Image Description: The artwork photographed against a white wall in the White Column space. The back of a 12” record sleeve featuring a close-up of an image of a pale-blue bed mattress, strong lighting from the left to increase shadows on the right to accentuate the curves of the buttoned-back surface, the border is a plain pale blue to frame. Over the mattress in white text lists the name of the band, song titles and credits in smaller text. Audio Description: <audio-player label="Peter Ashworth FINAL.mp3" src="https://freight.cargo.site/original/i/M2911474436768123707627252498198/Peter-Ashworth-FINAL.mp3"></audio-player> <div style="text-align: center">Song Lyrics: Sunday morning going slow I'm talking to the radio Clothes and records on the floor Memories of the night before Out in club-land having fun And now I´m hiding from the sun Waiting for a visitor Though no-one knows I'm here for sureDancing laughing Drinking loving And now I'm all alone In bedsit land My only homeI think it's time to cook a meal To fill the emptiness I feel Spent my money going out I've nothing I'm left without Clean my teeth and comb my hair Look for something new to wear Start the nightlife over again Kid myself I'm having funDancing laughing Drinking loving And now I'm all alone In bedsit land My only homeLook out from my window view I've really nothing else to do Read a book and write a letter Mother, things are getting better Watch the mirror count the lines The battle scars of all the good times Look around and I can see A thousand people just like meDancing laughing Drinking loving And now I'm all alone In bedsit land My only homeDancing laughing Drinking loving And now I'm all alone In bedsit land My only homeI'm waiting for something I'm only passing time</div> External Links: Website: <a href="https://ashworth.photos/">https://ashworth.photos/</a> https://whitecolumn.art/rose-garrard 2026-04-28T22:59:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2911476153606594647775221399318/20260427_144351.jpg Rose Garrard, Acrylic and Grey Wash, ‘Talisman: The Steel Knife of Her Grandmother’, 1988. Image Descriptions: The artwork photographed against a white wall in the White Column space. A grouping of nude figures drawn into the grey wash on the ground, filling the picture plane, intersecting each other, and with a sense of falling. In the centre at the bottom is an open penknife is superimposed in a realistic mode and rendered in a darker grey. Along the bottom edge is an inscription written in pencil, which reads ‘`Give heed to my poverty and my wealth. Do not be arrogant when I am cast out upon the earth, for you will find me in those that are to come... And do not cast me out among those who are slain in violence, for I am compassionate, yet I am cruel.' The drawing sits in the centre of the frame, surrounded by a thick border of blank paper. Audio Descriptions: <audio-player label="Rose Garrard Final.mp3" src="https://freight.cargo.site/original/i/A2911639614430136180991578095382/Rose-Garrard-Final.mp3"></audio-player> Organisation: Leeds Art Gallery, opened in 1888 on The Headrow, is a free, nationally designated, and top-rated venue in West Yorkshire known for one of the UK’s best 20th-century British art collections. It showcases paintings, sculptures, and modern art (including works by Hepworth and Moore), along with changing temporary exhibitions, a Victorian-era Tiled Hall Café, and family-friendly activities. External Link: Website: <a href="https://museumsandgalleries.leeds.gov.uk/leeds-art-gallery-jxyz" target="_blank">https://museumsandgalleries.leeds.gov.uk/leeds-art-gallery-jxyz</a> https://whitecolumn.art/abbie-bruff 2026-04-28T22:59:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/W2911483020609990270966615523094/abbie.jpeg Between Panic and Pleasure, Mixed Analogue Photography installation by Abbie Bruff, 2026 https://whitecolumn.art/joanne-tiffany-1 2026-04-29T10:58:48+00:00 always 0.5 https://freight.cargo.site/t/original/i/R2911537004545353380126680956694/20260427_144702.jpg Idle Hands, Mixed Media Textile Blanket 97.5 x 117 cm by Joanne Tiffany, 2022. Image Description: Exhibition photograph of ‘Idle Hands’ a mixed-media textile blanket made up of white cotton, embroidery thread, two calico cyanotyped squares. The blanket is displayed on a vintage brown leather armchair, draped over its arm rest and coming to rest onto the cushion of the chair. Displayed at a three-quarter angle placed on a medium grey floor, with other artworks behind it on a white wall. Audio Description: <audio-player label="Joanne Tiffany Idle Hands_01.mp3" src="https://freight.cargo.site/original/i/T2912598900462201298804264943382/Joanne-Tiffany-Idle-Hands_01.mp3"></audio-player> Organisations: Mental Health Museum: The Mental Health Museum is home to an extraordinary collection of objects and stories that explore mental health care history and the experience of mental health conditions. It was first opened in 1974 and displayed objects from the West Riding Asylums at Wakefield, Huddersfield, Leeds and Sheffield. We continue to add to these collections today. The museum is a space for broader debates around mental health care and aims to promote wellbeing, combat mental health stigma, and be active in social justice. We invite everyone to get involved in creating this space. The Mental Health Museum is free to visit and open to everyone on Tuesdays, Wednesdays and Thursdays 1-4pm. Find us at Fieldhead Hospital, Wakefield, WF1 3SP. You can get in touch with staff by calling 01924 316360 or email us at <a href="mailto:museum@swyt.nhs.uk">museum@swyt.nhs.uk</a>. In Transit: In Transit is a non-profit contemporary arts platform committed to artistic exchange and increasing access to the arts. They support artists and creatives to make their work more accessible to disabled audiences. They run online residencies, exhibitions and courses on arts access. They create opportunities for artists to experiment with new ideas, reflect on what they do, and develop accessible, thought-provoking work and research. Outside In: Outside In provides a platform for artists who encounter significant barriers to the art world due to health, disability, social circumstance, or isolation. Outside In provides a digital platform for artists to show their work and three programmes of activity: artist development, exhibitions, and training. Outside In aims to create a fairer art world by supporting artists, creating opportunities, and influencing arts organisations. External Links: Joanne’s Website: <a href="https://www.joannetiffany.com" target="_blank">https://www.joannetiffany.com</a> Joanne’s Instagram: <a href="https://www.instagram.com/joanne_tiffany_art/" target="_blank">https://www.instagram.com/joanne_tiffany_art/</a> Mental Health Museum Website: <a href="https://www.southwestyorkshire.nhs.uk/mental-health-museum/home/" target="_blank">https://www.southwestyorkshire.nhs.uk/mental-health-museum/home/</a> In Transit Website: <a href="https://intransit.space" target="_blank">https://intransit.space</a> Outside In Website: <a href="https://outsidein.org.uk" target="_blank">https://outsidein.org.uk</a> https://whitecolumn.art/yoko-ono 2026-04-28T22:59:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/N2911505097138342108420412555030/mary.png Yoko Ono and John Lennon during their Bed-In, Montreal, Canada, Photograph by Ivor Sharp, 1969. Image Description: Exhibition photograph of a black and white photograph against a white wall in the White Column space. The artwork photograph has been taken of the performance ‘Bed In’ of artist Yoko Ono (Left) and John Lennon (right) sitting on a bed in their pyjamas, both looking dishevelled whilst holding a single flower each in their hand. Audio Description: <audio-player label="Yoko Ono FINAL.mp3" src="https://freight.cargo.site/original/i/Q2911507959261365608899603087126/Yoko-Ono-FINAL.mp3"></audio-player> External Links: Instagram: <a href="https://www.instagram.com/yokoono/" target="_blank">https://www.instagram.com/yokoono/</a> https://whitecolumn.art/sue-scott 2026-04-29T08:24:14+00:00 always 0.5 https://freight.cargo.site/t/original/i/K2911399028193897581835234590486/Sue-My-Bed.jpg ‘My Bed, 2026’, Photograph by Sue Scott, 2026. Image Description: A ‘From My Bed’ exhibition extra for the website. A photographic artwork which is black and white depicting an empty unmade bed. A metal bed frame with vertical and horizontal bars and orb shaped bed knobs is visible against a sunlit wall where illuminated rectangular reflections of blind slats are cast onto the wall, together with dark shadows of the bedhead’s bars and half drawn curtains. On the bed is a creased cotton bed sheet, two velvet textured pillows, and a bulky velvet duvet, which has been thrown to one side, depicting a just-slept-in appearance of an unmade bed. Audio Description:<audio-player label="Sue Scott - My Bed FINAL.mp3" src="https://freight.cargo.site/original/i/L2911411060248740355553662091030/Sue-Scott---My-Bed-FINAL.mp3"></audio-player> <div style="text-align: center">Bed Case</div> ‘Bed Case’ is not so heavy, it is not the baggage of my daily struggles, not a ‘head case’ and does not hold me back. In it I carry sentimental reminders of people I love and respect, who taught me about resilience, kindness to always build a safe space slightly concealed from the outside, a safe space not to hide, but to rest, process, heal and recover. With lived experience enduring physical conditions, trauma, and as a Carer around severe mental health illness, injury and vascular dementia, which all impact my family and personal relationships, resulting in financial burden, lack of support and loneliness over recent years. I bring these themes together in response to ‘From My Bed’ with the sculptural piece ‘Bed Case’. https://freight.cargo.site/t/original/i/T2911399028175450837761525038870/Sue-Bedcase.jpg ‘Bed Case’, Sculpture by Sue Scott, 2026. Image Description: Photograph of ‘Bed Case’ a sculpture against a grey floor and white walls. ‘Bed Case’ is a mixed-media rectangular sculpture mounted on a base resembling a carry case on castors. Constructed from Perspex, wood, MDF, plastic, and metal, with the base painted in black. The Perspex sides and top are partially transparent with diagonal and straight textured lines printed in opaque white to depict window blinds, walls, and the ceiling of a bedroom. The rectangle sculpture has a wooden carrying handle in the centre at the top with two black hinges. Halfway up inside the Perspex box is a printed black organza fabric, partially obscuring the objects, depicting veiled curtains. The selection of objects can be seen from outside of the lower half of the case, which for example include a print of a headboard and pillows, a selection of writing, a glass Whitby duck ornament, a memorial seed planting packet, small white weekly Dossett pillbox, empty pill foil sheets. Audio Description: <audio-player label="Sue Scott - Bed Case FINAL.mp3" src="https://freight.cargo.site/original/i/E2911411458956666764711910719254/Sue-Scott---Bed-Case-FINAL.mp3"></audio-player> <div style="text-align: center">Poetry </div> <div style="text-align: center">‘Bed Case’by Sue Scott My ‘Bed Case’ Is not so heavy, it is not the baggage of my daily struggles, not a ‘head case’, does not hold me back. I carry sentimental reminders, of people, of love and respect. Reminders of resilience, kindness, to build a safe space, slightly concealed from the outside, a safe space, not to hide, but to rest, process, heal, recover.</div> External Links: Instagram: <a href="https://www.instagram.com/suescott.art/" target="_blank">https://www.instagram.com/suescott.art/</a> https://whitecolumn.art/mary-mccartney 2026-04-28T22:59:21+00:00 always 0.5 https://freight.cargo.site/t/original/i/Q2911493833593304189515614928662/MM_M1121C_10-dn.jpg Dame Tracy Emin as Frida Kahlo, Chromogenic Print by Mary McCartney, 2022. Image Description: The artwork photographed against a white wall in the White Column space. It shows: “Artist Tracey Emin, laid centrally and propped up on white cushions in bed, dressed as painter Frida Kahlo. Staring forward whilst at rest in bed with an array of small black and white family photos displayed on the headboard. Tracey Emin dressed as Frida Kahlo reclining in a bed reminiscent of Frida Kahlo’s with black postcard sized black and white personal photos of her family and friends tucked into the headboard. Styled to looked like Frida, Tracey has red roses and carnations pinned in her hair and is wearing a white cotton blouse with royal blue embroidery detail and black skirt. She has a ring on all of her finders in silver and turquoise and has had her make up applied to feel like Frida, with red lipstick and unibrow. Tracey is channelling Frida in expression as she looks directly to camera and the viewer.” Audio Description: <audio-player label="Mary McCartney FINAL.mp3" src="https://freight.cargo.site/original/i/C2911498017591561267947564711702/Mary-McCartney-FINAL.mp3"></audio-player> External Links: Website: <a href="https://marymccartney.com/">https://marymccartney.com</a> Instagram: <a href="https://www.instagram.com/marymccartney/" target="_blank">https://www.instagram.com/marymccartney/</a> Photographer: Mary McCartney Copy Right: McCartney Studios https://whitecolumn.art/homepage 2026-04-28T22:59:20+00:00 always 0.5 https://freight.cargo.site/t/original/i/K1822300203725542161820166619037/IMG_1771.jpeg https://whitecolumn.art/exhibitions-1 2026-04-28T22:59:20+00:00 always 0.5 https://freight.cargo.site/t/original/i/I1652024130161902214344140403670/thumbnail_IMG_2334.jpeg Am Easy https://freight.cargo.site/t/original/i/C1942290025902124565214856502778/P1019364.jpeg Am Easy https://whitecolumn.art/exhibitions-25-26 2026-04-28T22:59:19+00:00 always 0.5 https://whitecolumn.art 2026-04-29T11:00:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/A2893272363316491835567967059734/From-My-Bed-HTD.jpg Image Description: Exhibition poster with a fluorescent yellow background with black large title ‘From My Bed’, smaller text with information of dates, place, artists, designers, curators and sponsors and a darkened image of a used bed that has been ripped vertically into four in the top right corner. External Websites: Designer: Jude Drake <a href="https://www.instagram.com/gothjorts/" target="_blank">https://www.instagram.com/gothjorts/</a> Image credit: ‘My Bed 2026’ Sue Scott <a href="https://www.instagram.com/suescott.art/" target="_blank">https://www.instagram.com/suescott.art/</a> Curators: Joanne Tiffany Website : <a href="https://www.joannetiffany.com">www.joannetiffany.com</a> Abbie Bruff: Portfolio: <a href="https://abbiebruff.myportfolio.com/">abbiebruff.myportfolio.com</a> Abbie Bruff: Instagram: <a href="https://www.instagram.com/abbierosebruff/" target="_blank">https://www.instagram.com/abbierosebruff/</a> Yorkshire Evening Post article about exhibition: <a href="https://www.yorkshireeveningpost.co.uk/whats-on/leeds-beckett-students-secure-yoko-ono-and-mary-mccartney-artworks-for-ambitious-new-exhibition-7032359">https://www.yorkshireeveningpost.co.uk/whats-on/leeds-beckett-students-secure-yoko-ono-and-mary-mccartney-artworks-for-ambitious-new-exhibition-7032359</a> 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https://freight.cargo.site/t/original/i/B2298806706194210874483544440598/-Suite--Repeats-Revolution--Tony-Heaton-OBE.jpg https://freight.cargo.site/t/original/i/R2298806706157317386336125337366/Suite--Fruits--Tony-Heaton-OBE.jpg https://freight.cargo.site/t/original/i/B2298806706231104362630963543830/-The-Jingle-Book--Alan-Dunn.jpg https://freight.cargo.site/t/original/i/V2298806706138870642262415785750/-Rock-1--Sue-Scott.jpg https://freight.cargo.site/t/original/i/I2298806706101977154114996682518/-Memento-Mori--Joanne-Tiffany.jpg https://freight.cargo.site/t/original/i/M2298806706212657618557253992214/-The-Jingle-Book--Alan-Dunn-Joanne-Tiffany.jpg https://freight.cargo.site/t/original/i/K2298806706249551106704673095446/-The-VAnguards--Joanne-Tiffany-with-NDACA.jpg https://freight.cargo.site/t/original/i/H2298806706046636921893868027670/-1--Sleepy-Dormilon.jpg https://freight.cargo.site/t/original/i/Q2298806706083530410041287130902/-Express-Yourself--CoActive-Arts.jpg https://freight.cargo.site/t/original/i/K2298806706065083665967577579286/-Braced--Skye-Shadowlight-Brite.jpg https://freight.cargo.site/t/original/i/K2298806706120423898188706234134/-Pandora--Joanne-Tiffany.jpg https://freight.cargo.site/t/original/i/D2298820342986660852416995671830/UHD.png https://freight.cargo.site/t/original/i/T2298868984099304172711078805270/IMG_1987.jpeg https://freight.cargo.site/t/original/i/B2386585051299189343611437416349/04.jpg https://whitecolumn.art/'express-yourself'-coactive-arts 2026-04-28T22:59:20+00:00 always 0.5 https://freight.cargo.site/t/original/i/Q2298806706083530410041287130902/-Express-Yourself--CoActive-Arts.jpg ‘Express Yourself’, Quilted Banner by CoActive Arts (2024). Image Description: Exhibition photograph of the front view of a collaborative artwork banner of 58x53 inches with the words ‘Express Yourself’ in alternating colours of yellow, green, and orange. The background is interspersed with pink, dark and light blue pattern, a snail, love hearts, minion figures, florals and other images, that are scattered throughout the banner. Image credits: Harry Meadley Audio Description:<audio-player label="-Express-Yourself--Read-by-CoActive-Arts-Member-Dale.mp3" src="https://freight.cargo.site/original/i/H2298936464170693697769264398102/-Express-Yourself--Read-by-CoActive-Arts-Member-Dale.mp3"></audio-player> ‘Express Yourself‘, is a banner artwork created from a compilation of a two-day ‘Pride and Protest’ workshop. CoActive Arts members learnt, discussed, and created artwork individually and collectively around the theme of pride and protest. The slogan ‘Express Yourself’, links to the organisations previous creative work and its ongoing goal to foster ‘A Place To Belong Through The Arts.’ After being assembled CoActive Arts and its members participated within Wakefield Pride 2024, holding the banner to respect, celebrate and value humanity. Organisation Text: CoActive Arts is a Wakefield-based collective made up of artists with and without learning disabilities. They provide opportunities for people within the Wakefield District to engage with the arts for fun or health, and to develop as: dancers, performers, creators, leaders, and role models. Members have the opportunity to socialise, express themselves creatively, learn new skills and realise their ambitions. The organisation's goal is to create places of belonging, where the unique humanity, value and potential of each person is recognised, celebrated, and encouraged. They also promote awareness and respect, for the value and creativity of people with learning difficulties through public exhibitions and performances. CoActive Arts ensures, skills and talents are developed and achievements are honoured, fostering “A Place To Belong Through The Arts.” External Links: Instagram: <a href="http://www.instagram.com/coactive_arts/" target="_blank">www.instagram.com/coactive_arts/</a> Website: <a href="http://www.coactive.org.uk/" target="_blank">www.coactive.org.uk/</a> https://whitecolumn.art/'1'-sleepy-dormilon 2026-04-28T22:59:20+00:00 always 0.5 https://freight.cargo.site/t/original/i/H2298806706046636921893868027670/-1--Sleepy-Dormilon.jpg ‘1’, Painting, by Sleepy Dormilón (2023). https://whitecolumn.art/'braced'-skye-shadowlight-brite 2026-04-28T22:59:20+00:00 always 0.5 https://freight.cargo.site/t/original/i/K2298806706065083665967577579286/-Braced--Skye-Shadowlight-Brite.jpg ‘Brace’, Sculpture by Skye Shadowlight Brite (2017). Image Description: Exhibition photograph of a three-quarter view of the sculptural artwork ‘Brace’ against a white wall and a Dove grey floor. The sculpture is an old worn dark brown wooden Victorian school desk with an attached chair. Underneath is a pair of child-size Orthopaedic purple butterfly braces with white Velcro straps that have been strapped to the footrest of the desk with black Velcro straps. Image credit: Harry Meadley. Audio Description: <audio-player label="-Braced--read-by-Shadowlight-brite.mp3" src="https://freight.cargo.site/original/i/W2298956450719835472078282440470/-Braced--read-by-Shadowlight-brite.mp3"></audio-player> ‘Brace’ (2017) is part of ‘Shade School’, a large-scale installation by Skye Shadowlight that recreates a full Victorian classroom. The piece was inspired by Skye’s autistic child, who shared that they were put under a desk at school when they were “naughty.” ‘Brace’ is made from their own walking braces, prescribed to stop them from tiptoe walking, strapped down to a rigid, unbendable structure. A symbol of control, discipline, and resistance. Get ready to fight the world. ‘Brace’. Artist Bio Skye Shadowlight Brite (b. 1974) is a neurodivergent, Texan-born artist who has lived and worked in Calderdale for over twenty years. A modern-day storyteller with thought-provoking tales to tell, she creates large-scale installations that often feature live performances. Her work explores accessibility, disability, and the clash between past and present—what happens when a modern-day disabled child sits in an archaic setting? Previous exhibitions include Liverpool Independents Biennial (2018) and SHAPE OPEN - London (2017). She was awarded the Edna Lumb Travel Award (2017) and the Square Peg Bursary (2018). Now, she turns her attention to exposing the failures of inaccessible systems, challenging the structures that continue to exclude and erase disabled voices External Links: Instagram - <a href="http://www.instagram.com/skyeshadowlight/" target="_blank">www.instagram.com/skyeshadowlight/</a> Website - <a href="http://www.skyeshadowlight.com/" target="_blank">www.skyeshadowlight.com/</a> https://whitecolumn.art/'rock1'-sue-scott 2026-04-28T22:59:20+00:00 always 0.5 https://freight.cargo.site/t/original/i/V2298806706138870642262415785750/-Rock-1--Sue-Scott.jpg ‘Rock#1’ Sculpture- by Sue Scott (2025) Image Description: Exhibition photo of ‘Rock#1’ a 240cm-long tubular mixed-media sculpture resembling a stick of rock, displayed on two worn old rusty black metal car ramps, shown on a dove grey floor, surrounded by other artworks. Photograph credit: Harry Meadley. Audio Description: <audio-player label="-Rock-1--read-by-Sue-Scott.mp3" src="https://freight.cargo.site/original/i/Y2298936464299820906285231259414/-Rock-1--read-by-Sue-Scott.mp3"></audio-player> ‘Rock#01’ explores the analogy of the ‘core’ being the problem as well as a solution to accessibility and inclusion. ‘Islands’ of disability, illness, and health conditions run through the core of many diversities, ethnicities, and backgrounds. Most sticks of rock have a pattern – usually the place name – running throughout the length in the ‘core’ and the artist uses this poetically. By standing alone we are inadvertently closed off from the potential of shared ideas and opportunities becoming ‘Islands’ until we find and create unique connections. As an example, the Isle of Skye stands alone whilst keeping its identity and independence but benefits from a connecting bridge to the mainland, which asks us ‘when is an island not an island?’ Artist Bio Sue Scott is a Leeds-based artist with physical conditions, who has always turned to creativity as a form of self-help and therapy. Sue is a carer for her neurodiverse son with severe complex needs. Her work is currently exploring the sensory and non-physical to see how this plays out in our physical environments. She is a multidisciplinary artist working in various media like print, textiles using everyday found objects, giving them new life and new identities. External Links Instagram: <a href="https://www.instagram.com/suescott.art/" target="_blank">https://www.instagram.com/suescott.art/</a> https://whitecolumn.art/'the-jingle-book'-alan-dunn 2026-04-28T22:59:20+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2298806706231104362630963543830/-The-Jingle-Book--Alan-Dunn.jpg https://freight.cargo.site/t/original/i/M2298806706212657618557253992214/-The-Jingle-Book--Alan-Dunn-Joanne-Tiffany.jpg https://whitecolumn.art/joanne-tiffany 2026-04-28T22:59:20+00:00 always 0.5 https://freight.cargo.site/t/original/i/I2298806706101977154114996682518/-Memento-Mori--Joanne-Tiffany.jpg Memento Mori’, Textile Sculpture by Joanne Tiffany (2025-). Image Description: Exhibition photograph of ‘Memento Mori’ a mixed-media sculpture made up from empty and used white pill packets and white cotton, displayed on a vintage brown leather armchair. The sculpture is shown with the white vacuum-formed raised pill packets topside up, draped over an arm rest and resting onto the chair. The cotton strands fall from the back of sculpture, over the chair onto the ground. Displayed at a three-quarter angle with a white wall behind and placed on a dove grey floor. Image credit: Harry Meadley. Audio Description: <audio-player label="-Memento-Mori--read-by-Joanne-Tiffany.mp3" src="https://freight.cargo.site/original/i/E2298936464207587185916683501334/-Memento-Mori--read-by-Joanne-Tiffany.mp3"></audio-player> ‘Memento Mori’ is a mixed-media textile sculpture, incorporating used, discarded white empty medication packets that have been blanket stitched and then crocheted together with white cotton to form a lap blanket. The artwork is a visual journey and exploration of chronic illness and reliance on the medical and pharmaceutical industry in a turbulent and unreliable world of unknowing. This shapeshifting artwork creates, shifts and expands in context, having been different artworks in smaller previous forms and with further exploration hopes to continue to develop. <hr /><div style="text-align: center">‘The Vanguards’ </div> https://freight.cargo.site/t/original/i/K2298806706249551106704673095446/-The-VAnguards--Joanne-Tiffany-with-NDACA.jpg ‘The Vanguards’ archival collage by Joanne Tiffany (2025) with Images courtesy of <a href="http://www.the-ndaca.org">www.the-ndaca.org</a> Image description: Exhibition photograph of ‘The Vanguards’ a combination of art, performance, workshop, advertisement, document, activism, and protest photographs showing the archival collection of NDACA representing the history of the Disability Art Movement. Image credit: Harry Meadley . Audio Description:<audio-player label="-The-Vanguards--read-by-Joanne-Tiffany.mp3" src="https://freight.cargo.site/original/i/V2298936464355161138506359914262/-The-Vanguards--read-by-Joanne-Tiffany.mp3"></audio-player> ‘The Vanguards’ represents a small snapshot of the progressive and powerful collaboration of the Disability Arts Movement, showing how connection, education and action brought about significant change to society through the arts. https://freight.cargo.site/t/original/i/K2298806706120423898188706234134/-Pandora--Joanne-Tiffany.jpg ‘Pandora’, Light Sculpture by Joanne Tiffany (2024). Image description: Exhibition photograph of ‘Pandora’ a light sculpture made of a series of interconnected 7.5 x 7.5-inch wooden squares with jigsaw piece edges fitted together to form a hollow cube. Each square is laser cut with multiple kind, complimentary and compassionate words, for example, ‘delightful’, ‘charming’ and ‘supporting’ and then spray-painted gloss black. Placed within the centre of the top square of the cube is a brass light fitting which enables the hanging of the sculpture but also encases a warm orange light bulb within the cube. The light projects the words from the sculpture on the environment, distorting them and rendering them at times unreadable depending on the location, time of day and lighting. Image credit: Harry Meadley. Audio Description: <audio-player label="-Pandora--read-by-Joanne-Tiffany.mp3" src="https://freight.cargo.site/original/i/K2298936464281374162211521707798/-Pandora--read-by-Joanne-Tiffany.mp3"></audio-player> ‘Pandora’ is a series of six 19.5cm thin, hard wooden, interconnected jigsaw edged squares forming a hollow cubed sculpture with laser cut out stencil-style letters. Each side has multiple kind, complimentary and compassionate words cut out, such as ‘delightful’, ‘charming’ and ‘supporting.’ The outer surface has been sprayed gloss black. Centrally to the top square there is a dull brass light fitting with a black cord, that protrudes and enables the hanging of the sculpture from the ceiling. A domestic lightbulb is encased within the centre of the cube, which when switched on casts a warm orange projection of the words onto adjacent surfaces. <hr /> https://whitecolumn.art/tony-heaton 2026-04-28T22:59:20+00:00 always 0.5 https://freight.cargo.site/t/original/i/R2298806706157317386336125337366/Suite--Fruits--Tony-Heaton-OBE.jpg ‘Suite: Fruits’, Screen Prints by Tony Heaton OBE (2019). Image Description: Exhibition photograph of a series of five multi-coloured prints in different bold colours, each depicting the same image of an enlarged ‘Fruit Loop’ sweet (a variant of a mint POLO). The fruit loop is inscribed with ‘Loop’ filling majority of the frame and sits diagonally across it. The five prints sit in a row on a white background. Image credit: Harry Meadley. Audio Description: <audio-player label="-Suite--Fruits--read-by-Tony-Heaton-OBE-.mp3" src="https://freight.cargo.site/original/i/L2298936464318267650358940811030/-Suite--Fruits--read-by-Tony-Heaton-OBE-.mp3"></audio-player> ‘Suite Fruits’ is a set of works based on the Polo sweet, using bright and bold colours, and magnified to larger than life-size. The artist talks about ‘connectedness’ as a key thread running through his work in more or less visible ways, and that connectedness can be said to come to the fore quite literally in his sweet hoops that spell out ‘LOOP’ instead of ‘POLO’. <hr /> <div style="text-align: center">‘Suite: Repeat (Revolution) </div> https://freight.cargo.site/t/original/i/D2298806706175764130409834888982/-Suite--Repeat-Revolution--Tony-Heaton-OBE.jpg ‘Suite: Repeat’ Vinyl Installation by Tony Heaton (2025) Image Description: Installation photo of ‘Suite: Repeat’ a vinyl Installation of giant ‘Fruit Loops’ sweets (a variant of a ‘POLO’), with the embossed word ‘LOOP’ instead of ‘POLO’ in the colours pink, blue, green, red, yellow, and purple. Installed on the rotating doors of the Broadcasting Place building B occupied by the Fine Art Department and others at Leeds Beckett University. Image credits: Harry Meadley. Audio Description: <audio-player label="-Suite-Repeats--read-by-Joanne-Tiffany.mp3" src="https://freight.cargo.site/original/i/L2298936464336714394432650362646/-Suite-Repeats--read-by-Joanne-Tiffany.mp3"></audio-player> ‘Suite: Repeat’ is a set of works based on the Polo sweet, using bright and bold colours, and magnified to larger than life-size. The artist talks about ‘connectedness’ as a key thread running through his work in more or less visible ways, and that connectedness can be said to come to the fore quite literally in his sweet hoops that spell out ‘LOOP’ instead of ‘POLO’. External Links: Instagram: <a href="http://www.instagram.com/tonyheaton1/">www.instagram.com/tonyheaton1/</a> Website: <a href="http://www.tonyheaton.co.uk/index.html">www.tonyheaton.co.uk/index.html</a> https://whitecolumn.art/meriel-allen 2026-04-28T22:59:20+00:00 always 0.5 https://freight.cargo.site/t/original/i/V2275013061692594731167730859933/Comp-1.mp4 Reel promotional advertisement for the ‘Radical Connectedness’ Exhibition. Designed by Level 6 Graphics student Meriel Allen Image Description: Leeds School of Arts exhibition advertisement, featuring a multi-coloured, circular, connected pattern set against a deep red background. It promotes ‘Radical Connectedness’, from 9th April to 4th May, and the open event held 2-4pm on the 9th April, showcasing the contributing artists: Skye Shadowlight Brite, Tony Heaton OBE, Sleep Dormilόn, Joanne Tiffany, CoActive Arts, Alan Dunn, and Sue Scott; and supporting organisations: NDACA, Shape Arts, Blue Coats, and The Art House. It is held at The White Column, Broadcasting Place Arts Building, Leeds School of Arts, LS2 9EN. Reel Description: Leeds School of Arts reel exhibition advertisement, featuring a multi-coloured, circular, connected pattern set against a deep red background. It promotes ‘Radical Connectedness’, from 9th April to 4th May, and the open event held 2-4pm on the 9th April. It showcases the contributing artists: Skye Shadowlight Brite, Tony Heaton OBE, Sleep Dormilόn, Joanne Tiffany, CoActive Arts, Alan Dunn, and Sue Scott; and supporting organisations: NDACA, Shape Arts, Blue Coats, and The Art House. 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https://freight.cargo.site/t/original/i/H1688846435939502710863526378940/a63db5ba-fe76-4af8-a458-7221b948caf0.jpeg <div style="text-align: center">Julia Pluta</div> https://freight.cargo.site/t/original/i/S1688866937706206463880321056188/44cb9122-ae23-4cbe-b31f-b7229ccb9647.mp4 <div style="text-align: center">Ewan Summerton </div> https://whitecolumn.art/this-is-my-default 2026-04-28T22:59:21+00:00 always 0.5 https://freight.cargo.site/t/original/i/H1626353804141252125760331939741/Group-Show-2-web.jpg https://freight.cargo.site/t/original/i/G1645542842853751252372246773526/IMG-20240207-WA0004.jpg Untitled, 2024 Joanne Tiffany Mixed Media Sculpture 7.5 x 7.5 x 7.5 Inch External Link: Website: <a href="https://www.joannetiffany.com" target="_blank">www.joannetiffany.com</a> https://freight.cargo.site/t/original/i/W1646091809951497920638393532182/exhibition-night.jpg https://freight.cargo.site/t/original/i/E1679469212928878344903793590038/G2-EVAN.jpg Locked out / unkown, 2024 Evan Mayer-Walters Film / installation External Links: Films’: <a href="https://vimeo.com/916674944?share=copy" target="_blank">https://vimeo.com/916674944?share=copy</a> <a href="https://vimeo.com/916676532?share=copy" target="_blank">https://vimeo.com/916676532?share=copy</a> <a href="https://vimeo.com/916681240?share=copy" target="_blank">https://vimeo.com/916681240?share=copy</a> Instagram: <a href="https://www.instagram.com/ultramaspleen/">@ultramaspleen </a> https://freight.cargo.site/t/original/i/E1679475392366782108719070330646/IMG-20240222-WA0001.jpg Baji, 2024 Umaiyl Hussain Oil on canvas, 9.8 x 7.8 Inch External Link: Instagram: <a href="https://www.instagram.com/umaaiyl/">@umaaiyl </a> https://freight.cargo.site/t/original/i/V1679508547696029966876505554710/IMG-20240219-WA0012-exhibition.jpg We Were Girls Together, 2024 Grace Cockings Film External Link: Film: <a href="https://vimeo.com/915927899 " target="_blank">https://vimeo.com/915927899 </a> https://freight.cargo.site/t/original/i/A1679516210990027019888114286358/G2-KIRSTY.jpg Overstimulated Simulations, 2023-24 Kirsty Couper Film/ installation External Link: Instagram: <a href="https://www.instagram.com/kirstycouperart/">@kirstycouperart </a> https://freight.cargo.site/t/original/i/A1679519884935810460250961886998/IMG-20240219-WA0010.jpg Smile, 2024 Finn Devine Various/ installation External Link: Instagram: <a href="https://www.instagram.com/finndevineart/">@finndevineart</a> https://freight.cargo.site/t/original/i/W1679520882941558336085123415830/IMG-20240219-WA0006.jpg Smile, 2024 Finn Devine Various/ installation External Link: Instagram: <a href="https://www.instagram.com/finndevineart/">@finndevineart</a> https://freight.cargo.site/t/original/i/O1679527248673130500293161926422/amy.jpg Bedroom Dancing, 2024 Amy Frankland Mixed Media: paper, wood, fabric, lace, thread 30 x 34 Inch External Link: Instagram: <a href="https://www.instagram.com/ratg0blin/">@ratg0blin</a> https://freight.cargo.site/t/original/i/N1679537351622818277687810080534/lucy.jpg Drowning, 2024 Lucy Gough-Mills Lino Print 8.2 x 11.7 inch https://freight.cargo.site/t/original/i/A1679549074454890143813023842070/hayley.jpg Dundee Shells, 2024 Hayley Grimston Photography, A Series of Six Images 5.8 x 8.3 Inch External Link: Instagram: <a href="https://www.instagram.com/hayzzart/">@hayzzart</a> https://freight.cargo.site/t/original/i/T1679572895786976937158470024982/nadia.jpg Within, 2024 Nadia Johns Sculpture, 39.37 x 19.68 Inch https://freight.cargo.site/t/original/i/O1679588853050704179237547687702/kirsty.jpg Overstimulated Simulations, 2023-24 Kirsty Couper Film/ installation External Link: Instagram: <a href="https://www.instagram.com/kirstycouperart/">@kirstycouperart</a> https://freight.cargo.site/t/original/i/B1679599617002572349866558897942/jo.jpg Untitled, 2024 Joanne Tiffany Mixed Media Sculpture 7.5 x 7.5 x 7.5 Inch External Link: Website: <a href="https://www.joannetiffany.com" target="_blank">www.joannetiffany.com</a> https://freight.cargo.site/t/original/i/L1679667452561166919381513682710/IMG-20240316-WA0001.jpg Imaginary Friend, 2024 Ghost McDonagh Vinyl Sticker 8.2 x 11.7 inch External Link: Instagram: <a href="https://www.instagram.com/ectocist/">@ectocist</a> https://whitecolumn.art/"group-show-1" 2026-04-28T22:59:21+00:00 always 0.5 https://freight.cargo.site/t/original/i/O1615215894564556963490411282333/02.jpg https://freight.cargo.site/t/original/i/A1615215894638343939785249488797/04.jpg https://freight.cargo.site/t/original/i/K1615215894675237427932668592029/06.jpg https://freight.cargo.site/t/original/i/S1615215894656790683858959040413/05.jpg https://freight.cargo.site/t/original/i/D1615215894619897195711539937181/03.jpg https://freight.cargo.site/t/original/i/T1637758291896201089861271388061/image.jpeg https://freight.cargo.site/t/original/i/V1637758357714183944856951553949/image.jpeg 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https://freight.cargo.site/t/original/i/Y1624816273372264216008908354518/IMG_1762.jpeg Olivia Butler-Fagbohun https://freight.cargo.site/t/original/i/E1624818096537767997018732770262/IMG_1765.jpeg William Gallagher https://freight.cargo.site/t/original/i/A1624818826955046339622138557398/IMG_1767.jpeg Olli Tipling https://freight.cargo.site/t/original/i/D1624819531343968794221367014358/IMG_1779.jpeg Kristina Nenova https://freight.cargo.site/t/original/i/L1624821128684431624878860547030/IMG_1796.jpeg Luke Foulds https://freight.cargo.site/t/original/i/W1624822065631456616734406226902/IMG_1808.jpeg No soul Olivia Butler-Fagbohun Leather shoe sole https://freight.cargo.site/t/original/i/H1624823190144975350068672738262/IMG_1846.jpeg Fractured Line (floor piece) Paul Tranter Acrylic, emulsion, charcoal and collage on canvas 1.5m x 1.0m You walked on the line didn’t you (wall piece) Paul Tranter Acrylic strips and vinyl lettering 11cm wide by various https://freight.cargo.site/t/original/i/Z1624832654523723527859772601302/IMG_1719.jpeg Jasmine Easton-Cooper https://freight.cargo.site/t/original/i/T1624833078171647924673335014358/IMG_1723-Dani.jpg Two shaped, howling, pure Dani Sophia Gouache and acrylic on canvas board 210cm x 297cm https://freight.cargo.site/t/original/i/G1624833537606255824483427562454/IMG_1763.jpeg Polly Murphy https://freight.cargo.site/t/original/i/B1624834995489333457896710878166/IMG_1737.jpeg Stuff Happens MA Fine Art Exhibition https://freight.cargo.site/t/original/i/Y1624835532289586002844662903766/IMG_1764.jpeg Stuff Happens MA Fine Art Exhibition https://freight.cargo.site/t/original/i/T1624837634591221107227422372822/IMG_1824.jpeg Stack Paul Tranter Ceramic collectors’ plates (found objects) 75cm x various diameters https://freight.cargo.site/t/original/i/E1624837634535880875006293717974/IMG_1805.jpeg Stuff Happens MA Fine Art Exhibition 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https://freight.cargo.site/t/original/i/P1588289675801247567169299120029/THE GAZE The Gaze Katie Crowe Video collage “I took 'THE MALE GAZE' and made it unrecognisable through distortion and collage taking away what the male gaze draws upon.” https://freight.cargo.site/t/original/i/E1588290559732330091183593455517/IMG_0481.jpeg https://freight.cargo.site/t/original/i/J1588292076755669224909699252125/IMG_0607.JPG Trash Island Holly Hodgson “This piece is composed of collected plastics and litter bonded onto a found and repurposed piece of plywood. It was inspired by the devastating Great Pacific Garbage Patch located in the Pacific Ocean, East of the USA. This ever expanding tragedy is said to be twice the size of Texas, and weighs approximately 80,000 tonnes. It is so important to bring this to people’s attention now as we continue to lead the planet to its death.” https://freight.cargo.site/t/original/i/E1588294163396018610713049399197/IMG_0611.JPG Two Ghosts Aysha Abdulla Acrylic and oil pastel on canvas 40 x 32inch “Two Ghosts questions the universal language of art and letting go of control. By using a color wheel to decide the colors for me, I have stripped away the symbolism and universal meaning of color. Dealing with arthritis has allowed me to see how little control I have over my pain. 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https://freight.cargo.site/t/original/i/O1738519054503380411191981804993/download-6.jpg https://freight.cargo.site/t/original/i/K1738526741759698015952298085825/download-10.jpg https://whitecolumn.art/luke-foulds 2026-04-28T22:59:21+00:00 always 0.5 https://freight.cargo.site/t/original/i/C1737843097842714525674783412209/IMG_20231031_214118-1.jpg A page from my book titled ‘Dasein’(2023). 80 Pages long. https://freight.cargo.site/t/original/i/U1737843097898054757895912067057/IMG_20230807_161636.jpg ‘Revolutions’ (2023) - Installed in the studio for the end of year show in 2023. https://freight.cargo.site/t/original/i/I1737843097879608013822202515441/IMG_20230719_141526.jpg ‘Revolutions’ (2023) - Installed in the studio for the end of year show in 2023. https://freight.cargo.site/t/original/i/U1737843097916501501969621618673/VID_20240124_103022.mp4 ‘Dasein’(2023) & ‘can’t seem to find the time...’ (2024) https://freight.cargo.site/t/original/i/I1737843097861161269748492963825/IMG_20230808_152915.jpg ‘All pervasive pain’ (2023) - Installed in the studio for the end of year show in 2023. https://freight.cargo.site/t/original/i/O1737843097953394990117040721905/IMG_20231031_214502-1.jpg ‘Dasein’ (2023) https://freight.cargo.site/t/original/i/B1737843097934948246043331170289/IMG_20231101_101806.jpg ‘Dasein’ (2023) https://freight.cargo.site/t/original/i/F1737856408330708583759976108017/Cymatics Experiment by Aurora Fleming & Luke Foulds ‘Cymatics’ - Luke Foulds & Aurora Fleming (2022) https://freight.cargo.site/t/original/i/A1737895876744521019758389530609/IMG_20240330_175106.jpg ‘my past mistakes...’ 2024 https://freight.cargo.site/t/original/i/T1737895876762967763832099082225/IMG_20240330_175031.jpg ‘my past mistakes...’ 2024 https://freight.cargo.site/t/original/i/T1737895876781414507905808633841/IMG_20240417_155524.jpg Photograph of performance peice ‘Surface Tension’ 2024 https://freight.cargo.site/t/original/i/Y1737895876301799161989360291825/IMG_20240417_151125.jpg Photograph of performance peice ‘Surface Tension’ 2024 https://freight.cargo.site/t/original/i/G1737895876726074275684679978993/IMG_20240417_155323.jpg Photograph of performance peice ‘Surface Tension’ 2024 https://freight.cargo.site/t/original/i/P1748168286303033414632471826417/water-drop-shot.jpg https://freight.cargo.site/t/original/i/E1748168286376820390927310032881/waterdropshot5.jpg Screenshots from the documentary of ‘Surface Tension’ 2024 https://freight.cargo.site/t/original/i/U1748168286321480158706181378033/water-drop-shot2.jpg https://freight.cargo.site/t/original/i/G1748168286358373646853600481265/waterdropshot4.jpg https://freight.cargo.site/t/original/i/E1748168286339926902779890929649/waterdropshot3.jpg https://freight.cargo.site/t/original/i/H1748198638907773689655472721905/surface-tension-snippet.mov Small excerpt from documentary of ‘Surface Tension’ 2024. Full film coming soon. https://freight.cargo.site/t/original/i/U1748202433384582907636530581489/surface-tension-snippet.mov Documentation of ‘Surface Tension’ 2024 https://freight.cargo.site/t/original/i/H1751973794209867241781069123569/Surface Tension (2024) Documentation of ‘Surface Tension’ 2024 https://whitecolumn.art/paul-tranter 2026-04-28T22:59:21+00:00 always 0.5 https://freight.cargo.site/t/original/i/F1738458796406082719718092059606/1C7A066A-ABE3-4A5A-A476-E3C148CC66A5.jpeg ‘Ninety Eight Plates (and two box stacks)’ https://freight.cargo.site/t/original/i/C1738463963486671718353176114134/IMG_2941-2.mov ‘Ninety Eight Plates (the crash)’ https://freight.cargo.site/t/original/i/B1738478018540596823577000686550/IMG_2939.jpeg ‘Ninety Eight Plates (and two box stacks)’ https://freight.cargo.site/t/original/i/T1738481174003744584185481016278/P1019341.JPG https://freight.cargo.site/t/original/i/U1738481173911510863816933258198/P1019336.JPG https://freight.cargo.site/t/original/i/M1738481987339137538113321317334/IMG_2941-3.mov ‘Ninety Eight Plates (the smash)’ https://freight.cargo.site/t/original/i/P1738488396272984322949129712598/P1019364.JPG https://freight.cargo.site/t/original/i/C1738491739007477919856978047958/P1019375.JPG https://freight.cargo.site/t/original/i/Y1738494224798475572587606062038/P1019423.JPG https://freight.cargo.site/t/original/i/L1738494224632454875924220097494/P1019406.JPG https://freight.cargo.site/t/original/i/Q1738494224761582084440186958806/P1019407.JPG https://freight.cargo.site/t/original/i/R1738494224780028828513896510422/P1019408.JPG https://freight.cargo.site/t/original/i/C1738500189405597853981444682710/P1019470.JPG ‘Made in Japan’ https://freight.cargo.site/t/original/i/M1738500189387151109907735131094/P1019451.JPG https://freight.cargo.site/t/original/i/D1738500189424044598055154234326/P1019474.JPG https://freight.cargo.site/t/original/i/G1738502157488723078053506593750/P1019440.JPG https://freight.cargo.site/t/original/i/O1738504185892701423155802289110/P1019492.JPG ‘Ninety Eight Plates’ https://freight.cargo.site/t/original/i/N1738514661983128323547260531670/P1019349.JPG https://freight.cargo.site/t/original/i/W1738514662038468555768389186518/P1019359.JPG https://freight.cargo.site/t/original/i/S1738514661927788091326131876822/P1019345.JPG https://freight.cargo.site/t/original/i/L1738514662056915299842098738134/P1019360.JPG https://freight.cargo.site/t/original/i/W1738514662001575067620970083286/P1019357.JPG https://freight.cargo.site/t/original/i/I1738514662020021811694679634902/P1019358.JPG https://whitecolumn.art/william-gallagher 2026-04-28T22:59:21+00:00 always 0.5 https://freight.cargo.site/t/original/i/Z1733582603428272870165238287809/P1070172.JPG https://freight.cargo.site/t/original/i/N1738567578885027233052022312385/kite9.png https://freight.cargo.site/t/original/i/O1738567578774346768609765002689/kite3.png 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https://whitecolumn.art/untitled-page 2026-04-28T22:59:21+00:00 always 0.5 https://freight.cargo.site/t/original/i/Y1738478572920596470770154697259/IMG_2132.PNG https://whitecolumn.art/psuedo 2026-04-28T22:59:20+00:00 always 0.5 https://whitecolumn.art/c*nt 2026-04-28T22:59:20+00:00 always 0.5 https://whitecolumn.art/white-column 2026-04-28T22:59:21+00:00 always 0.5 https://freight.cargo.site/t/original/i/N1588341044467916370231393746845/01.jpg https://freight.cargo.site/t/original/i/H1588341044560150090599941504925/03.jpg Xmas Classic Singles December 2023 An exhibition, where all works – drawings, photos, paintings, prints… – are the size of a 7-inch 45 rpm record, or record sleeve (sculptures 7” x 7” x 7”), in keeping with our Leeds School of Arts Punk tradition. https://freight.cargo.site/t/original/i/X1710725851091031707182898053021/06.jpg https://freight.cargo.site/t/original/i/F1710726581102481680164693704605/07.jpg The Male Graze Guerrilla Girls, curated by Katie Crowe https://freight.cargo.site/t/original/i/M1718905773770644833127834550173/TheMaleGraze_02.jpg https://freight.cargo.site/t/original/i/V1974113399158150113168772530077/JD_02.jpg Jeremy Deller 17 June – 4 Aug 2024 https://freight.cargo.site/t/original/i/K1974113399268830577611029839773/JD_04.jpg